A Wrinkle in Time
Madeleine L’Engle
“Life, with its rules, its obligations, and its freedoms, is like a sonnet: You’re given the form, but you have to write the sonnet yourself.” – Mrs. Whatsit
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Bird’s Kiss
Bahram Alivandi
Bahram Alivandi (1928 – 2012) received his artistic training in Tehran and is considered a pioneer of Iranian contemporary art. He taught at the Workshop of National Art and the Kamal-ol-Molk Academy of Art for twenty years before his oppositional views toward the government led to his imprisonment. In 1983 he moved to Vienna, Austria, where he lived in exile until his death in 2012. A member of the National Council of Resistance of Iran (NCRI), Alivandi’s life was devoted to the creation of art and the fight for freedom.
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Fill Me Up
Sean Colvin
Well, I might be alright if I just see the light
I don’t care if the phone don’t ring
And I’ll know when it’s right like a voice in the night
And the right shade of tangerine
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Healing Quote of the Day
If you don’t create… you will become a menace to society.
–Maria Semple, From Where’d You Go, Bernadette
The Bone People
Keri Hulme
In a tower on the New Zealand sea lives Kerewin Holmes, part Maori, part European, an artist estranged from her art, a woman in exile from her family. One night her solitude is disrupted by a visitor—a speechless, mercurial boy named Simon, who tries to steal from her and then repays her with his most precious possession. As Kerewin succumbs to Simon’s feral charm, she also falls under the spell of his Maori foster father Joe, who rescued the boy from a shipwreck and now treats him with an unsettling mixture of tenderness and brutality. Out of this unorthodox trinity Keri Hulme has created what is at once a mystery, a love story, and an ambitious exploration of the zone where Maori and European New Zealand meet, clash, and sometimes merge. Winner of both a Booker Prize and Pegasus Prize for Literature, The Bone People is a work of unfettered wordplay and mesmerizing emotional complexity. –From Goodreads
Where is My Mother
Yun Gee
Yun Gee (1906-1963) was a Chinese-American artist, poet, writer and performer. At 15, he left China to join his father in San Francisco and never saw his mother again. Yun Gee studied at the California School of Fine Art and became a U. S. Citizen. At 21 he left for Paris where his work was well received. Merging western and eastern themes and styles, he was the first Chinese artist to exhibit in the established Parisian art salons. On his return to his adopted country, Yun Gee endured years of discrimination in New York City. In 1936 he returned to Paris where he found acceptance, but World War II forced his return to America three years later. In his poem entitled Pigeon, he wrote, “Here I am free by law, people cannot kill me like a chicken. The only thing that makes me tremble, is when a hawk appears over the skyscrapers.”
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The Eclipse
Richard Eberhart
I stood out in the open cold
To see the essence of the eclipse
Which was its perfect darkness.
I stood in the cold on the porch
And could not think of anything so perfect
As man’s hope of light in the face of darkness.
More poems by Richard Eberhart